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Interviews
Mulgrew Miller: Reshaping the Familiar
The big thing that's happened in my life, which was kind of a surprise even to me, is that I've been appointed to be the director of Jazz Studies at William Paterson University. So this has been kind of a detour, but a big thing in my life right now. So that's kind of what I'm dealing with right now,
I'm still working on the trio and Wingspan. Actually the trio is kind of undergoing another personnel transition. The guys on the recordings are not playing with me. Right now I'm using Rodney Green on drums, and the bass situation is still undecided as we speak.
Selected Discography
Mulgrew Miller, Live at Yoshi's Volume Two (MaxJazz, 2005)
Mulgrew Miller, Live at Yoshi's Volume One (MaxJazz, 2004)
Mulgrew Miller & Wingspan, The Sequel (MaxJazz, 2002)
Tony Williams, Young at Heart (Columbia, 1998)
Mulgrew Miller, Getting to Know You (Novus, 1995)
Gary Thomas, The Kold Kage (JMT, 1991)
Tony Williams, Tokyo Live (Blue Note, 1992)
Mulgrew Miller, Hand in Hand (Novus, 1992)
Mulgrew Miller, Landmarks (Landmark, 1992)
Kenny Garrett, African Exchange Student (Atlantic, 1990)
Mulgrew Miller, From Day to Day (Landmark, 1990)
Wallace Roney, Standard Bearer (Muse, 1989)
Toots Thielemans, Footprints (Verve, 1989)
Art Blakey with Freddie Hubbard, Feel the Wind (Timeless, 1989)
Mulgrew Miller, The Countdown (Landmark, 1988)
Mulgrew Miller, Wingspan (32 Jazz, 1987)
Donald Byrd, Harlem Blues (Landmark, 1987)
Tony Williams, Civilization (Blue Note, 1986)
Woody Shaw/Freddie Hubbard, Double Take (Blue Note, 1986)
Mulgrew Miller, Keys to the City (Landmark, 1985)
Art Blakey & The Jazz Messengers, Live at Kimball's (Concord, 1985)
Bobby Hutcherson, Color Schemes (Landmark, 1985)
Woody Shaw, Lotus Flower (Enja, 1982)
Related Articles:
Mulgrew Miller Returns To Boston For James Williams Tribute (2004)
Mulgrew Miller: Life on the Bandstand (2003)
Photo Credit: Courtesy of International Jazz Productions.
Interview conducted by Gerard Cox. Interview edited and introductory paragraphs written by John Kelman.
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