Big Band Caravan

Mike Barone / National Youth Jazz Orchestra / Vaughn Wiester / Dutch Jazz Orchestra

By
JACK BOWERS,
Jack Bowers

Jack Bowers

Senior Contributor since 1997

A former newspaper writer / editor who has been writing about big-band Jazz for more than fifteen years.

Recent articles (1,750 total)

Published: April 3, 2009

Mike Barone Big Band
Class of '68
Rhubarb Recordings
2009

While some may deem composer / arranger / trombonist Mike BaroneMike Barone Mike Barone
b.1936
's latest album gratuitous, those who were introduced to Barone's music via the band's superb recording Live at Donte's, 1968 should take enormous pleasure in hearing further inspired commentary from that remarkably talented Class of '68. In fact, even those who aren't yet acquainted with Barone's erstwhile ensemble may be blown away by big-band jazz that sounds so fresh and stylish that one might easily assume it had been recorded last week or last month.

Once upon a time, Barone's stalwart big band performed every Wednesday evening at Donte's nightclub in North Hollywood, CA. Impromptu recordings of some of the sessions were made by George Jerman using an Ampex 960 tape recorder. "Not exactly state-of-the-art," Barone says, "but they came out just fine." Fine enough to produce the memorable album Live at Donte's, which wasn't released as a CD until 1998. Now, more than a decade onward, Barone has seen fit to redeem more of the music from those free-wheeling club dates, and big-band enthusiasts should be thankful for that decision.

Actually, the first four tracks on Class of '68 were recorded in-studio in January 1969 with essentially the same personnel as at Donte's save for Mike WoffordMike Wofford Mike Wofford
sitting in for pianist Cliff Bryant, bassist Monty BudwigMonty Budwig Monty Budwig
1929 - 1992
bass, acoustic
for Jim HughartJim Hughart Jim Hughart
b.1936
and tenor saxophonist Tom ScottTom Scott Tom Scott
b.1948
saxophone
for Bill HoodBill Hood Bill Hood
b.1924
. Barone wrote three of those four numbers and scored Henry ManciniHenry Mancini Henry Mancini
b.1924
piano
's "Two for the Road," on which his trombone is featured (as it is on Charlie Loper's arrangement of "Somewhere Along the Way"). Barone's brother, trumpeter Gary, is showcased on "Peachy," another of Mike Barone's half-dozen originals; tenor Lou Ciotti on "Medalist" and the captivating "Waltz This!," Bill PerkinsBill Perkins Bill Perkins
1924 - 2003
saxophone
(flute) on "Is You Is Or Is You Ain't My Baby," Buddy ChildersBuddy Childers Buddy Childers
1926 - 2007
trumpet
(flugel) on "More Than You Know." Perkins (alto) and baritone Jack NimitzJack Nimitz Jack Nimitz
1930 - 2009
sax, baritone
trade volleys on the exuberant and aptly named "Perk Up Jack." The Barone brothers and Ciotti solo on the well-knit opener, "The Monster," so-named by alto Med FloryMed Flory Med Flory
b.1926
sax, tenor
because of its constantly shifting tempos. Flory wrote the powerful "Tempi," on which he and Gary BaroneGary Barone Gary Barone
b.1941
share solo honors. Completing the program is Mike Barone's sauntering "Real Neal" (Hefti), enfolding persuasive statements by the Barones and trumpeter Steve Huffsteter.

Who says you can't go home again? Mike Barone has not only done so, he has invited the rest of us to tag along on a delightful excursion to yesteryear when the indomitable Class of '68 was earning its master's degree in tasteful, high-octane big-band jazz.

National Youth Jazz Orchestra
When You're Ready
Stanza Music
2009

So many talented musicians have arisen from the ranks of Britain's superlative National Youth Jazz Orchestra that one can be forgiven for overlooking the fact that a sizable number of its alumni are accomplished composer / arrangers as well. Such is the case with trumpeter Evan Jolly whose music forms the bedrock of NYJO's latest album, When You're Ready, subtitled "NYJO Plays the Compositions and Arrangements of Evan Jolly." Jolly wrote four of the dozen selections, redesigned three others and arranged all of them including five of director Bill AshtonBill Ashton Bill Ashton
b.1936
's vocal compositions, two each by Sarah Ellen Hughes and Atila Huseyin, one more by Lauren Derwent.

The album was recorded in three sessions, two in front of an appreciative audience (2005, 2008) at Ronnie Scott's nightclub in London, the last track (featuring Sir John DankworthJohn Dankworth John Dankworth
1927 - 2010
saxophone
on alto sax) in 2006 in-studio at Joe & Co. On the review copy a two-minute break follows "Sir Johnny Comes Marching Home," after which the band returns, clearly live again, to back Ashton as he buoyantly reprises "Paris Is for Lovers," this time in French (Huseyin sings it earlier in English). An unlisted but nonetheless rewarding "bonus."

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