Big Band Report

"A Swingin' Affair" Outshines Its Name

By
JACK BOWERS,
Jack Bowers

Jack Bowers

Senior Contributor since 1997

A former newspaper writer / editor who has been writing about big-band Jazz for more than fifteen years.

Recent articles (1,750 total)

Published: June 8, 2009

There was one more concert before the supper break, this one by Londoner Altman's band. We'd read that Altman is an Emmy-winning soundtrack composer, as well as an arranger, orchestrator and conductor who has worked on a dozen platinum albums by various artists. What his bio didn't say is that he's also a world-class saxophonist, as he proved on a curved soprano on the impulsive opener, "Our Love Is Here to Stay." Oddly, the band's second number was titled "The Opener," followed by a Jazzed-up version of Rudolf Friml's "Chansonette" (perhaps better known as "The Donkey Serenade") and the venerable "Lester Left Town," showcasing Pete ChristliebPete Christlieb Pete Christlieb
b.1945
saxophone
on tenor and Andy MartinAndy Martin Andy Martin
b.1960
on trombone. The next two numbers, Clifford BrownClifford Brown Clifford Brown
1930 - 1956
trumpet
's "Joy Spring" (whose melody was played by tubaist Doug Tornquist) and Mario BauzaMario Bauza Mario Bauza
1911 - 1993
trumpet
's "Mambo Inn," are always a pleasure to hear. Altman's "West Coast Chatter," composed especially for the occasion, is a medium-tempo charmer written in the style of Gerry MulliganGerry Mulligan Gerry Mulligan
1927 - 1996
sax, baritone
. The band wrapped up its session with the Harry Warren standard "I Wish I Knew" (with Altman returning on alto), his "Foregone Conclusion" and Gigi GryceGigi Gryce Gigi Gryce
1927 - 1983
saxophone
's "Minority." Besides those mentioned, there were handsome solos by altos Sal Lozano and Danny House, tenor Rob LockartRob Lockart Rob Lockart

saxophone
, baritone Bob EffordBob Efford Bob Efford
b.1928
, trombonists Otto and Charlie Morillas, pianist Tom Ranier and bassist John Belzaguy.

After supper it was the Frank Capp Juggernaut's turn to swing, thundering zestfully through two sets' worth of luminous charts from the Count BasieCount Basie Count Basie
1904 - 1984
piano
book and elsewhere, mainly by arrangers Neal HeftiNeal Hefti Neal Hefti
1922 - 2008
trumpet
, Sammy NesticoSammy Nestico Sammy Nestico
b.1924
composer/conductor
and Frank FosterFrank Foster Frank Foster
1928 - 2011
saxophone
. The band showed up with one tenor chair empty; Pete Christlieb had been delayed. Capp asked, "Is there a tenor in the house?" and Roger NeumannRoger Neumann Roger Neumann
b.1941
sax, tenor
responded, saxophone in hand, to sit for the first two numbers until "the late" Mr. Christlieb arrived in time to take his seat for Nestico's "A Warm Breeze." Trumpeter Bob SummersBob Summers Bob Summers
b.1944
was showcased on Nestico's "Katie" and Foster's "Shiny Stockings," the trombone section (Morillas, Alan Kaplan, Bob McChesneyBob McChesney Bob McChesney

trombone
) on Hefti's aptly named "Bag o' Bones." Carl Saunders crafted the first of many mind-blowing trumpet solos on "It Might as Well Be Spring," pianist John Proulx was out front on Hefti's "Girl Talk" (arranged by Nat PierceNat Pierce Nat Pierce
1925 - 1992
piano
), and the band wrapped up Set 1 with a buoyant version of the standard "It Could Happen to You," on which Proulx doubled as vocalist.

Hefti was in the forefront on Set 2, which opened with his "Flight of the Foo Birds" and included "Dinner with My Friends" and "Li'l Darlin.'" Christlieb was featured on the plaintive ballad "We'll Be Together Again," fleet-fingered alto Lanny MorganLanny Morgan Lanny Morgan
b.1934
on a typically frenetic reading of Ray NobleRay Noble Ray Noble
1903 - 1978
composer/conductor
's "Cherokee," Summers on Benny GolsonBenny Golson Benny Golson
b.1929
sax, tenor
's "I Remember Clifford." Juggernaut then rang down the curtain on opening day with Basie's "One O'Clock Jump" (solos by Proulx, baritone Adam Schroeder—who stepped in at the last moment for an ailing Jack NimitzJack Nimitz Jack Nimitz
1930 - 2009
sax, baritone
—tenor Terry Harrington, guitarist Barry ZweigBarry Zweig Barry Zweig
b.1942
guitar, electric
and drummer Capp).

Friday, May 22, 2009

Friday's session got off to a more customary start with the first of three engaging film presentations, "Big Bands in the Movies," highlighting onscreen appearances by Charlie BarnetCharlie Barnet Charlie Barnet
1913 - 1991
composer/conductor
, Benny GoodmanBenny Goodman Benny Goodman
1909 - 1986
clarinet
, Harry JamesHarry James Harry James
b.1916
trumpet
, Duke EllingtonDuke Ellington Duke Ellington
1899 - 1974
piano
, Jimmie LuncefordJimmie Lunceford Jimmie Lunceford
1902 - 1947
composer/conductor
, Cab CallowayCab Calloway Cab Calloway
1907 - 1994
composer/conductor
, Tommy DorseyTommy Dorsey Tommy Dorsey
1905 - 1956
trombone
, Artie ShawArtie Shaw Artie Shaw
1910 - 2004
clarinet
and Woody HermanWoody Herman Woody Herman
1913 - 1987
band/orchestra
. The film was followed at 10:45 by a second panel discussion as moderator Ken Borgers guided bandleaders Neumann, Ann Patterson and Chris WaldenChris Walden Chris Walden

arranger
through a series of sharp and humorous reminiscences about their careers and the music profession in general.

At noon, it was back to poolside for a hurried snack and a performance by the UCLA Jazz Ensemble led by Charley HarrisonCharley Harrison Charley Harrison

composer/conductor
. After opening with a couple of Jazz standards (Duke Pearson's "Jeannine," Thad Jones' "Mean What You Say") and Frank MantoothFrank Mantooth Frank Mantooth
's definitive arrangement of "Young and Foolish," the band embarked on a three-song salute to Ellington that included "Harlem Airshaft," "I Got It Bad and That Ain't Good" (splendid vocal by Alexandra Isley) and a movement from the Duke's Far East Suite that featured clarinetist Anna Kent. The ensemble exited stage right with Frank Foster's blistering "Hey Jim" from the Basie book.

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