Steve Swell's Slammin' The Infinite: 5000 Poems (2010)
Although a studio date, the fulsome 76-minute playing time permits a stretching out as if in performance. Part of Slammin's appeal lies in the trademark simultaneous blowing by Sabir Mateen's mellifluous reeds, ever ready to spiral beyond the treble clef into stratospheric falsetto, and the leader's rough-hewn yet finely nuanced trombone, bolstered now by Blum's careening piano. Even when not soloing the pianist's controlled abandon demands attention. On bass, Matt Heyner breathes life into riffs, quickly deconstructed once ingrained on the listener's consciousness and plots more abstract musings with bow in hand while drummer Klaus Kugel drives the ensembles yet also explores texture, as in his shimmering feature on "The Darkness Afoot."
In its round of solos, "Not Their Kind" introduces the band, with Mateen's opening foray, forged from concentrated tonal distortions, culminating in a dog-bothering whistle, a particular statement of intent. Notwithstanding Swell's punchy heads, "The Only Way...Out" could almost act as their manifesto: freeform ensembles spawning tension and release via energetic outpourings until a cathartic resolution. Further quicksilver interplay is everywhere: framed by the buoyant counterpoint of the two "Sketches" while "My Myth Of Perfection" contrasts dark mournful voicings with slow burning passion.
The album title alludes to a Walt Whitman essay suggesting that great art comes through perseverance, but, in fact, Swell's success rate is consistently high and with 5000 Poems the trombonist smashes another home run.
Track Listing: Not Their Kind; Sketch 1; Where Are The Heartfelt?; My Myth Of Perfection; The Only Way....Out; Sketch 2; The Darkness Afoot.
Personnel: Steve Swell: trombone; Sabir Mateen: flute, clarinet, alto clarinet, alto and tenor saxophones; John Blum: piano; Matt Heyner: bass; Klaus Kugel: drums.
Record Label: Not Two Records
Style: Free Improv/Avant-Garde