Steve Swell: Steve Swell's Slammin' The Infinite (2010)
Swell is certainly aware, of course, that infinity itself is finite somewhere along the time-space continuum, even though mathematics once suggested otherwise. Still, it is safe to use this proposition, or hypothesis, at least for the purposes of this album. So, tracks are seemingly interminable, soli intertwine like excruciatingly energetically charged particles of a constantly changing whole. Swell's growling and painterly smears bleat and splat at low or high velocity, as the trombonist bobs in and out of his solo, dancing around the saxophones or clarinets that Sabir Mateen might wield like a medieval apothecary, casting a mysterious spell with harmonic intensity. And both instruments are swathed in the dense ocean of rhythm and harmony from pianist John Blum, or bassist Matthew Heyner's and Klaus Kugel's rapid rumbling drums and shimmering cymbals.
The music is deeply exploratory. Titles may sound cold and dripping with irony, as in "Not Their Kind, " which is actually quite emotionally charged and accessible; "Sketch #1" and "Sketch #2" plunge into the infinite with vast tonal palettes that converge in mighty squiggles, as amorphous as complex cellular animals reproducing on a canvas. "Where Are The Heartfelt" is a dark almost forlorn cry, a kind of woodwinds and reeds chorus baying at the moon in agony. "The Myth of Perfection" dives into the heart and soul of the song itself as it searches, yet debunks the idea that there could be any such thing at all. But as it emerges from its musical expedition, a song as imperfect, yet beautiful as a natural gem could be is exposed. "The Only Way...Out" and "The Darkness Afoot" bend even further back than Whitman; possibly even as far back as Dante and the proverbial Inferno, a constant reminder of the circle of life, perhaps.
And yet, despite its bleak suggestiveness, Steve Swell's Slammin The Infinite works to quell negativity and make out as if the only thing that matters is the creation of something positive; something that might stand out and become what Whitman ended up creating: a song of epic proportions.
Track Listing: Not Their Kind; Sketch #1; Where are the Heartfelt?; My Myth of Perfection; The Only Way...Out; Sketch #2; The Darkness Afoot.
Personnel: Steve Swell: trombone; Sabir Mateen: alto and tenor saxophones, clarinet and alto clarinets, flute; John Blum: piano; Matthew Heyner: bass; Klaus Kugel: drums.
Record Label: Not Two Records
Style: Beyond Jazz