The Brian Landrus Quartet: Traverse (2011)

GLENN ASTARITA,

Glenn Astarita

Senior Contributor since 1997

Longtime contributor to AAJ and Downbeat, Jazz Review, EjazzNews, Radio DirectX.

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Published: May 19, 2011

Track review of "Body and Soul"

Boasting an extensive résumé as a sideman in addition to his 2010 debut Forward (Cadence Jazz), baritone saxophonist/bass clarinetist Brian Landrus focuses on the mainstream jazz strata on Traverse. Landrus is equally adept as an outside player but delves, on this album, into more conventional persuasions, garnering sympathetic support from his venerable band mates.

Landrus incorporates fluency and warmth into his repertoire. He generates soul-stirring overtones and capacious qualities via an acute sense of dynamics. These attributes shine on his rendition of "Body and Soul," which of course, is the vehicle that tenor sax icon Coleman Hawkins Coleman Hawkins
1904 - 1969
sax, tenor used to set a new standard for woodwind performers.

Performing on baritone sax, Landrus looks inward, while transmitting spirited sentiment, nicely shaded by drummer Billy Hart Billy Hart
b.1940
drums 's cyclical cymbal swashes. The saxophonist slowly raises the pitch, following bassist Lonnie Plaxico Lonnie Plaxico
b.1960
bass 's pensive solo spot that looms as a followup discussion or retort to the leader's voicings. The quartet also executes a faint swing groove after the bridge and finalizes the piece on a temperate note.