CD/LP/Track Review

Greg Ward: Phonic Juggernaut (2011)

By
MARK CORROTO,
Mark Corroto

Mark Corroto

Senior Contributor since 1999

Mark misses his large dog Louie, but endeavors daily to find and listen to new and interesting sounds.

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Published: October 31, 2011
Greg Ward: Phonic Juggernaut

Greg Ward's trio Phonic Juggernaut can be loud, it also can be fast, but it can never be described as out of control. The twenty-something saxophonist's take on the modern jazz sax/bass/drums lineup adheres to the traditions of jazz, not as a regressive act but as a forward-thinking, innovative sound.

This Chicagoan-turned-New Yorker can be heard with drummer Charles RumbackCharles Rumback Charles Rumback
b.1980
drums
and in Mike ReedMike Reed Mike Reed

drums
's People, Places, and Things, as well as with the electronic outfit Prefuse 73. His initial release as a leader South Side Story (Nineteen Eight, 2010), was a quartet session, but he also dabbles in writing for chamber ensembles, orchestras, and ballet.

Just as drummer Tony WilliamsTony Williams Tony Williams
1945 - 1997
drums
once propelled Miles DavisMiles Davis Miles Davis
1926 - 1991
trumpet
from his 1950s sound into the jazz/rock of the 1960s, drummer Damion ReidDamion Reid Damion Reid
catapults the sound here, bridging jazz with modern beats. Reid, who also holds the drum chair in saxophonists Steve LehmanSteve Lehman Steve Lehman

sax, alto
and Rudresh MahanthappaRudresh Mahanthappa Rudresh Mahanthappa
b.1971
sax, alto
's bands, matches Ward's energy beat-for beat, pacing the sound throughout; his restless dynamism is the constant spark here.

The disc opens with the thunderous "Above Ground" a heavyweight workout that pauses but a moment for bassist Joe Sanders to solo. Ward plays with ferocity, matched throughout by Sanders and Reid, and with an intensity of sound that recalls the late-'80s work of saxophonists Steve ColemanSteve Coleman Steve Coleman
b.1956
saxophone
and Greg OsbyGreg Osby Greg Osby
b.1960
saxophone
.

But this is not just a jazz trio's version of DIY hardcore rock. Ward's arrangements include the nimble and polished "Velvet Lounge Shut-In," a vehicle for Sanders' bass to carry the melody, with some slick tom-tom and cymbal work from Reid, while the progressively layered "This Ain't In Book 3" begins with bowed bass and courteous saxophone, building upon aggressive drumming into an impenetrable wall of sound.

The signature piece is "Sectionate City," the only one not written by Ward. Andrew Bird's composition is recast as a piece of electronica, with the trio not so much making watered-down jazz fusion, but comingling elements under a jazz umbrella and making them honest.

Track Listing: Above Ground; Leanin' In; Velvet Lounge Shut-In; Phonic Juggernaut; This Ain't In Book 3; V.S. 4; Sectionate City.

Personnel: Greg Ward: alto saxophone; Joe Sanders: bass; Damion Reid: drums.

Record Label: Thirsty Ear Recordings
Style: Modern Jazz

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