e.s.t.: 301 (2012)
301 refers to the recording studio, but it can also be read "3 as 1" or "3 minus 1." Semiologists might wish to linger on those options, but for e.s.t.'s many fans, the music remains the priority. Unsurprisingly, there is a distinct similarity in sound between 301 and Leucocyte: a mix of acoustic instrumentation and electronica in which first one, then the other, takes center stage.
Of the electronica-led tunes, the most successful is "Three Falling Free Part II." Öström's powerful drumming dominates initially, and a heavy dose of electronically created noises gives the tune a decidedly prog-rock sensibilitye.s.t. channeling the spirit of ELP. The overall feel is pretty lighthearted, but elsewhere there are times when the electronics tend to detract from, rather than enhance, the acoustic instruments. The wholly electronic "Houston The 5th" sounds oddly anachronistic and out of place.
When the bass, piano and drums are given control, the organic beauty of e.s.t.'s music shines through. "The Childhood Dream" combines Svensson's delicately sorrowful piano with Berglund's restrained bass playing and Öström's hand drums, the result sounding like a valediction. "Behind The Stars" is a Svensson solo, apart from Berglund's occasional sparse arco bass. It's a graceful, contemplative ballad. On "Three Falling Free Part I," Svensson's moving, emotive piano has a real "after hours" sound thrown into relief by the freer, more fragmented bass and drums. By contrast, the lengthy "The Left Lane" is a more upbeat, jaunty number. Driven by Öström's percussion groove, Svensson and Berglund gradually rack up the tension across 13 minutes, before the release comes with the bassist's pizzicato solo. It's a quartet of tunes that stand with the best of the e.s.t. canon.
The jazz and rock catalogs are littered with posthumously released recordings that do nothing to enhance the reputation of the musicians concerned. There need be no such concern about this album. 301 carries on where its predecessor left off. While it doesn't feel quite so innovativeit does, after all, appear four years after Leucocyteit's still stylish and at times hauntingly beautiful. It's a worthy, welcome reminder of the majesty of e.s.t.
Track Listing: Behind The Stars; Inner City, City Lights; The Left Lane; Houston, The 5th; Three Falling Free Part I; Three Falling Free Part II; The Childhood Dream.
Personnel: Esbjörn Svensson: piano, electronics, transistor radio; Dan Berglund: double bass, electronics; Magnus Öström: drums, voices, electronics.
Record Label: ACT Music