The Jazz Mandolin Project: Xenoblast

Jim Santella

Senior Contributor since 1997

Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues, The L.A. Jazz Scene, and Cadence Magazine.

Recent articles (1,677 total)

Published: June 1, 2000

Jamie Masefield’s string jazz trio swings through a package of interesting themes that range from folk history to ride-cymbal-mainstream-jazz and on to blazing hot, electronic, backbeat jazz-rock. His compositions feature lovely melodies that adhere to specific impressions. These mental pictures become focal points for group improvisation and repetitious jam sessions. Masefield’s vivid imagery leaves no doubt for the listener, as in "Spiders," which ranges from open and natural to dense and mysterious. "The Milliken Way" drives through three styles, as its folk tune basis turns dramatic with a driving jam session and then becomes more emotional. Key changes and increased volume build the piece toward a frenzied climax. Elsewhere, as on "Jovan," Masefield offers a touch of the blues while telling stories by using characteristic instrumental phrases. Applying both electronic and acoustic instruments to the session, Masefield’s trio gives Xenoblast a many-sided approach. "Hang Ten" presses forward with a driving rock-styled drumbeat, blazing guest guitarist and powerful ocean currents swirling all around. The Jazz Mandolin Project offers familiar elements wrapped around swingin’ melodies: something for all.

Track Listing: Xenoblast; Double Agent; The Milliken Way; Spiders; Jovan; Dromedary; Shaker Hill; Igor; Hang Ten.

Personnel: Jamie Masefield- mandolin, mandola; Chris Dahlgren- upright & electric bass; Ari Hoenig- drums & percussion; Trey Anastasio- electric guitar on "Hang Ten."

Record Label: Blue Note Records
Style: Fringes of Jazz