CD/LP/Track Review

Shirley Eikhard: End Of The Day

By
JIM SANTELLA,
Jim Santella

Jim Santella

Senior Contributor since 1997

Jim Santella has been contributing CD reviews, concert reviews and DVD reviews to AAJ since 1997. His work has also appeared in Southland Blues, The L.A. Jazz Scene, and Cadence Magazine.

Recent articles (1,677 total)

Published: September 1, 2001

Singer/songwriter Shirley Eikhard brings a special vibrancy to jazz. Her intimate vocal style is made for a small room filled with listeners who want to enjoy the pleasures. The title track for this, her 10th album, gives a clue. It's a smooth jazz session for that time of day when you just want to forget what's been happening. Yeah, there are more days like that than preferred. Eikhard fills the room with nine of her compositions. Mostly instrumentals, the songs feature guitar or harmonica with a balanced accompaniment from keyboard, bass, and drums. Eikhard plays every instrument. She did it all in her home studio. A singer's approach to the instrument can be appreciated, since the lyrical feeling comes naturally. Eikhard convinces. Her wordless vocal on "Tiger, Gentle Tiger" blends with harmonica to recall "Bluesette." Her lyrics to "Some New Thrill" portrays one side of the song, while her paired wordless vocals and guitar represent the other. Several of the songs recall an old-fashioned cowboy ballad framework, while "The Hills of Hockley" recalls Old English folkways. Audio samples for several of the album's tracks are available at www.shirleyeikhard.com .

Track Listing: Some New Thrill; Song for Lesley; End of the Day; Detour Home; She's Back In Five; Sculpting a Masterpiece; Tiger, Gentle Tiger; The Hills of Hockley; What Was I Thinking?; End of the Day (reprise); Some New Thrill (single version).

Personnel: Shirley Eikhard- vocals, keyboards, organ, piano, drums, guitars, electric bass, harmonica, alto saxophone, tenor saxophone, congas, strings, percussion.


Style: Straight-ahead/Mainstream

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